Paintings not labels
Can Bukowski's paintings be classified as "Folk Art" in the category of Outsider Art?
I just came across this thread today. Like others, I personally don't care much for labels - I simply enjoy what I like. What some people might call 'Folk' art, I would call 'Primitive' art. Folk art expresses something universal about a culture or a people. Primitive artists are those who paint for the joy of painting simply to express themselves but may have limited skills as an artist, limited or no training (formal or otherwise) in the arts. They may also simply be terrible artists who have a desire to paint and somehow make a profit off it. A great deal of what some people call Outsider art falls into this category for me. While some see a colorful and unacademic painting full of charm - I see horrors and a lack of talent. It's no doubt a matter of personal taste.
The only reason to label art at all is for commercial reasons, which I think is what's driving your question and why there's some resistance to it. The question rings of profiteering without perhaps having a deeper understanding of what the man stood for, such as his artistic survival through writing and spontaneous creativity.
I think Bukowski himself didn't give a damn about labels. That's the difference between him and the commercial minded who are interested in labeling his art for the market place for people who may only know that Bukowski was a famous writer and little else about him and might invest in his paintings for that reason alone. My guess is that those who understand the man better would not need labels for what he did, such as Folk art.
They are simply 'paintings' by Charles Bukowski and why not list them as such without the divisive, unnecessary and false commercial labels?
Bukowski seemed to paint as an expression of the moment but had little or no skills as a painter even if he might have taken some art classes in college. In many instances he globs on one layer of paint over another, or next to another, without letting the first layer dry. There are smears, mixtures and muddy colors everywhere - like he's on acid, a mess - and the only thing going for it is that he had the will to do it and was one of the greatest writers of modern (or ancient) times. Whatever art skills he learned in school seemed to have flown out the window in his I-don't-give-a-damn way, and I've seen very few of his muddy paintings that I've ever enjoyed. Maybe only one or two. I find it more interesting to contemplate where he was and what was going on around him at the time he painted it, rather than the painting itself.
On the other hand, as someone else has pointed out here, his line drawings are full of charm! They are clear, clean and spacious. They reveal the spirit of the man he was and a genuine talent for caricature. There's even genius in it. But if one is going to try to market him on Madison Ave. or in the art galleries, I would never call what he did Folk art. He didn't give a damn about "folks" in the usual sense of the word - of trying to raise them up, heal them, fix them, better society, be a deliberate representative of the down and out, the downtrodden, the bums he wrote about, or the women he f**ked. He was a primitive artist because whatever was in him had to come out for its own sake and he took joy in it, for whatever it was worth. I sincerely doubt that he would have ever described his paintings as Folk art. Would anyone? If so, maybe he was a Folk writer too. When has Bukowski ever been consigned as a Folk writer? It'll never happen. He belonged to no school of thought and no school of painting. These are simply paintings by Charles Bukowski and there's nothing wrong with that. Just my personal take on it.
Poptop