Yeah, his style
and his music. When he came to America for the first time he was a folkie in bellbottoms and a floppy denim hat. He saw what was happening in New York, that the sands were shifting, and he changed up his game. It was a smart move for him, and if you look at his career he was usually taking on influences from someone or somewhere. A good example of that is the Bowie "Berlin" albums, which sound the way they do because he collaborating with Iggy Pop at the time.
In that way Bowie isn't unlike guys like David Byrne and Paul Simon who continually latched on to new things to keep themselves relevant. Not saying that's necessarily a bad thing, just that when you scratch the surface of some artists who are considered "fresh and original," you'll find more often than not that they are staying fresh and original by keeping their ears to the ground for whatever new things seems to be happening. That's smart, but I would argue that it's not necessarily groundbreaking, or even very creative.
And of course the New York scene influenced not only hippies like Bowie, but later of course the entire British punk movement, which was based lock stock and barrel on New York bands and style (via Malcolm McLaren). I know a lot of British punk aficionados don't like to admit that, but ask Chris Spedding - who produced the first Sex Pistols demos - what they said to him when they met for the first time; "Make us sound like the Ramones."
All of this has nothing to do with
d gray discovering an early version of a Bowie song. But I typed it so I might as well post it.